Stacy Szymaszek
from ABOUT THE HOUSE
The Studio
the plants grow at strong angles
toward what winter light
staring at the wall of books starts
mild vertigo an original floor board
soft a snuggery for treasure the step stool
creaks as do bending knees these lives
are solitary but alive & polyphonic
Monteverdi record sleeve hit the floor
a day in December ghost train
or a fact
dropped pencils roll east
gold upholstered chair
hips inclined “how are your hips?”
“mammoth-marrow”
where I have soft reckonings
the fifty-plus heart beneath this crepe chest
so noticed this morning in the bathroom
be not every bitter archer boy
defending their legends
The Living Room
this is a film about the wheel of fortune
(Elevator to the Gallows) Jeanne Moreau’s
expression is the same before the police get wise
and after I AM MAD the long takes encourage us
to empathize with madness
six days since the ball dropped in Time Square
but you and I don’t count that way
six days of French New Wave
animate black and white photos of us in high school
we are lovers on a spree for a day in 1986
therapeutic-watching of Cleo from 5 to 7
hate-watching Jules and Jim
(mesmerized by the new presence of TV
a motionless child on its lap
life with TV resumes after a decade gap)
it is absolutely necessary to die… for the lightning quick
montage it performs on our lives!
The Dining Room
another smashed Radko ornament
life-sized red onion
this collection can’t continue
too large for a miniature pine in a pot
now in the bay of plants getting a second
chance
tall thin glass of amaro
taken at the dining table
has not yet aroused dreams of my dead
as another poet said it could
inherited dinnerware
taking up a shelf where books would be
could be
a podium holding 2500+ pages of
Leopardi’s collected notes
badly coffee stained
or whatever other book is on my mind
this room is slow-
ly breaking with histor-
ical precedence
TABLE:
where’s my better half?
one by one the chairs have marched
to the attic
the chairs gather there
a weekly ghost oration
CHAIRS:
who my friends in New York?
midway along the journey of our lice
AMARO:
dispel! dispel!
it is safe
to withdraw the movement of our hearts
clear the way for what comes
PODIUM:
a natural course about
the house (natural as defined by the widest part of you)
The Ghost Poem
I leave the lights on
and my shoes on
like my father
I forget about daylight
savings
I yell at the oil
man to stop
if you require my subservience
you’ll never see the inside
of the house
if every visit is an in-
vasion…
such a spirit won’t know the stair-
case in the purple dark
where the orchid
hovers
I remove the Civil Song broad-
side from the hall
and place it nearer the drip
drip drip nearer the stereo
if you are still seeing through org
colored glasses I am unworkable
I rest on a couch held up
with bricks l sing ballads
to help me shit
The Basement
going down for the shovel
going down for the bag of salt
the salt ended up being outside under the plastic bucket
beneath the bag of soil
going down for the ladder being careful to not hit my head
going down for something else and noticing a collection
of abandoned plastic sleds
now that it has snowed + the small hill
while I was down there I thought to read the oil gauge
which said ¼ and it’s only January
and miles to go
while I was down there I felt afraid of the subterranean light
modifying a wooden chest that says PAIN
or PAINT if you can see a very faint T
while I was down there I thought of Shirley Jackson’s mind
and raced upstairs with the old mop and some batteries
I’ll try again another day
going down for the drill and the apron
going down for something else and noticing
an old pulley and rope
and a pile of old doors to the house
The Attic
whatever optimism within released
a clutch of balloons up to the peak of the roof
while my feet release creaks
this and that in reserve upon its wooden flanks
the ones that aren’t upended in disrepair
something of value lost for 20 years is found in a house I never lived in
something of value cannot be found in the house I live in
and it made my legs give out
the lost valuable thing recovered
the other thing now conceptualized as floating
a thing with different terms for friendship
Stacy Szymaszek is the author of seven books of poetry and numerous chapbooks. Her most recent publications are The Pasolini Book (2022), Three Novenas (2022), and Famous Hermits (2023). The poems published here are from a manuscript entitled ABOUT THE HOUSE. Stacy lives and works in the Hudson Valley in New York. Visit her website at stacyszymaszek.org.